During the Counter-Reformation, Jesuits used theater to warn of the dangers of Hell and the guide to the glories of Heaven. Performances of Jacob Bidermann, SJ’s Cenodoxus were no exception, causing some audience members to do penance and leading others into religious vocations.
Best, Thomas W. Jacob Bidermann. Twayne’s World Authors Series ; Germany TWAS 314. New York: Twayne Publishers, 1975.
Bidermann, SJ. Jakob. Cenodoxus. Translated by D. G. Dyer. Edinburgh Bilingual Library 9. Edinburgh: University Press, 1975.
Bloemendal, Jan. “Receptions and Impact: Early Modern Latin Drama, its Effect on the Audience and its Role in Forming Public Opinion.” Neo-Latin Drama: Forms, Functions, Receptions. Olms, 2008. 7-22.
Dyer, Denys. Jacob Bidermann a Seventeenth Century German Jesuit Dramatist. Cambridge, 1950.
Gorman, Michel John. “Mathematics and Modesty in the Society of Jesus: The Problems of Christoph Grienberger.” The New Science and Jesuit Science: Seventeenth Century Perspectives. Archimedes. Dordrecht ; Boston, MA: Kluwer Academic Publishers, 2003. 1-120.
Herdt, Jennifer A. Putting on Virtue: The Legacy of the Splendid Vices. Chicago: University of Chicago Press, 2008.
Loyola, SJ. Ignatius. The Spiritual Exercises of Saint Ignatius Loyola: An American Translation from the Final Version of the Exercises, the Latin Vulgate, into Contemporary English. New York: J.F. Wagner, 1968.
Martin, Dennis D. Fifteenth-Century Carthusian Reform: The World of Nicholas Kempf. Studies in the History of Christian Thought v. 49. Leiden ; New York: E.J. Brill, 1992.
Miola, Robert S. “Jesuit drama in early modern England.” Theatre and Religion: Lancastrian Shakespeare. Manchester: Manchester University Press, 2003. 71-86.
Murdoch, Brian. Adam’s Grace: Fall and Redemption in Medieval Literature. Woodbridge, UK ; Rochester, NY: D.S. Brewer, 2000.
Parente, James A. Religious Drama and the Humanist Tradition: Christian Theater in Germany and in the Netherlands, 1500-1680. Studies in the History of Christian Thought v. 39. Leiden ; New York: E.J. Brill, 1987.
Sinn, Christian. “The Figure in the Carpet: Metadramatical Concepts in Jacob Bidermann’s Cenodoxus (1602).” The Play Within the Play: The Performance of Meta-Theatre and Self-Reflection. Internationale Forschungen Zur Allgemeinen Und Vergleichenden Literaturwissenschaft 112. Amsterdam ; New York: Rodopi, 2007. 61-76.
Wild, Christopher J. “Jesuit Theater and the Blindness of Self-Knowledge.” A New History of German Literature. Harvard University Press Reference Library. Cambridge, Mass: Belknap Press of Harvard University Press, 2004. 270-274.
Eustache Le Sueur – Raymond Diocres Repond Apres sa Mort
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#277 – Cenodoxus and the Dangers of Pride